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Comedy is a serious business, you either make it right to flush out giggle cream or not at all, otherwise it will be a complete waste of money and viewers’ time. Director Todd Philips though, won’t need an umbrella for any rain because he has little to worry about in his latest comedy film Due Date, where he manages to dish out another screwball cross-country humour, the other one being 2009’s big hit, The Hangover. Although Due Date isn’t as funny as the latter, it may well be a more deserving film for applause than any other comedy films in 2010.
You can check other Movie Reviews HERE.
- Harry Potter and the Deathly Hallows Part 2
- Priest
- Pirates of the Caribbean On Stranger Tides
- The Sunset Limited
- I Am Number Four
- 127 Hours
- The Mechanic
- Love and Other Drugs
- Legend of the Guardians: The Owls of Ga’Hoole
- Death Race 2
- Due Date
- Dinner for Schmucks
- Faster
- Takers
- Little Fockers
- The Tourist
- Tangled
- Megamind
- Paranormal Activity 2
- The Town
- The Social Network
- Saw 7
- Red
- Wall Street
- Jackass 3D
- Resident Evil: Afterlife
- Avatar Re-Release
- The Other Guys
- Sorcerer’s Apprentice
- Inception
- Iron Man 2
- Hachi: A Dog’s Story
- The Bounty Hunter
- Robin Hood
- Shrek Forever After
- Prince of Persia: The Sands of Time
- Invictus
- Sex and the City 2
- Stolen
- The A-Team
- The Karate Kid
- The Back-Up Plan
You can check other Movie Reviews HERE.
You can check other Movie Reviews HERE.
This Rapunzel movie is one of the most awaited this year. So does it satisfy the crave for another Disney Animation film? Well, below is the review from IGN:
Walt Disney Animation once again embraces traditional “princess” fare with Tangled, a cheeky retelling of the Brothers Grimm fairy tale, Rapunzel. In this more action-oriented musical comedy, Rapunzel (voiced by Mandy Moore) is a princess who was abducted as a baby and raised as a virtual prisoner in a remote castle by the evil witch, Mother Gothel (Donna Murphy). Rapunzel boasts 70 feet of magic, golden hair — hair that keeps Mother from aging.
Having spent her entire life within the tower (with just Mother and the tiny, silent chameleon Pascal for company), Rapunzel is full of curiosity about the outside world. One day while Mother Gothel is away, Rapunzel is frightened by a surprise visitor coming through her window, the dashing, roguish bandit Flynn Rider (voiced by Chuck’s Zachary Levi). Flynn is on the run from his brutish former cohorts, the Stabbington Brothers (one of whom is voiced by Ron Perlman), after escaping with a jeweled tiara they had stolen.
Following their meet-cute introduction, Rapunzel and Flynn make a deal. He will escort her through the wilderness to the kingdom, where she’ll finally get to behold the annual festival of lights. (This festival, held on what is the unsuspecting Rapunzel’s birthday, is in remembrance of the lost princess.) In exchange, Rapunzel will give Flynn back the stolen tiara she’s hidden from him.
Rapunzel and Flynn find themselves on the run from not only the Stabbington Brothers and Mother Gothel, but also from the royal guards (and one very determined horse named Maximus) who want Flynn in custody. As Rapunzel and Flynn grow more attracted to one another, the question becomes whether Flynn will succumb to his bad boy ways and betray her trust.
Tangled, renamed from Rapunzel seemingly in an attempt to not seem like another Disney “princess” flick aimed strictly towards girls, is a very funny, handsomely produced CG-animated toon that looks like a throwback to more traditional, hand-drawn animation but with the fluidity allowed by modern technology. Coupled with 3D, the end result is an immersive experience featuring the best of both schools of animation. Disney cartoons, though, are marked not only by their technical excellence, but also by the quality of their storytelling and characters. That’s where Tangled is a mixed bag.
The repartee between Rapunzel and Flynn is clever and sharp, and there’s good chemistry between them. Flynn is an extremely charming rogue, just pompous enough to laugh at and whose change of heart towards Rapunzel is believable and slowly earned. Mother Gothel nearly steals the show, with her overprotective tyranny being made to seem almost rational through some of her sly exchanges with the naive young princess. Mother also gets one of the film’s biggest musical numbers, which Murphy nails.
Disney vet Alan Menken once again provides the music (with lyrics by Glenn Slater). While there are plenty of catchy tunes here, none of them are as truly memorable as those in Menken’s The Little Mermaid, Aladdin or Beauty and the Beast. But it’s still fun stuff that allows Levi to show off his impressive pipes opposite Moore. (I can foresee Tangled becoming Disney’s next Broadway sensation a la The Lion King and Beauty and the Beast.)
Tangled might not ultimately be a modern Disney classic like some of the aforementioned animated films, but it’s nevertheless a lot of fun, full of humor, adventure, good music (especially the Mother Gothel number and a set-piece in a tavern full of cutthroats) and great production values. Tangled’s biggest drawback is the overall formulaic nature of its story, as well as its cop out ending. Those mar this otherwise fine film and prevent it from being among Disney’s best contemporary toons.
Given the review, do you agree?
You can check other Movie Reviews HERE.
Most people say that Megamind is a The Incredibles meets Despicable Me movie. If that’s the case then it is a good one. Lets see if IGN feels the same.
This CG-animated feature focuses on the bad guy rather than the hero. Megamind (voiced by Will Ferrell, who replaced Robert Downey Jr.) is a brilliant but luckless alien supervillain who is the longtime archenemy of Metro Man (Brad Pitt), the beloved, seemingly invincible protector of Metro City.
The evil genius Megamind — whose origin is a Superman-esque tale of a baby sent to Earth on a rocket ship, but who lands in a prison yard rather than the morally upright heartland — has spent years trying to destroy Metro Man, whose reporter girlfriend Roxanne Ritchi (voiced by Tina Fey) is often used as bait to lure him into some diabolical but easily thwarted super-trap. It’s all become so predictable … until the day Megamind actually succeeds in destroying the hero.
The arch-criminal suddenly finds himself king of Metro City, but later discovers that his life now lacks purpose without his do-gooder counterpart to lock horns with. It seems achieving his life’s ambition was the worst thing he could have done. Then it hits him: He’ll simply make a new opponent — the everyman-turned-superhero Titan (Jonah Hill) — to challenge him. However, this plan fails when Titan takes a liking to being a villain. That forces Megamind to ponder the unthinkable: Can he become the superhero that Metro City really needs?
This film may be coming out on the heels of Despicable Me, another CG-animated film about a supervillain who just might not be so bad after all, but Megamind is a sharper, funnier and all-around better take on the idea. If anything this movie may be hurt somewhat by some of its superficial similarities to Pixar’s Incredibles, but it’s ultimately puts a fresh enough spin on superhero spoofs that one can overlook them.
Megamind boasts some very clever, witty banter between Megamind and Metro Man as they try to one-up each other with good vs. evil cliches. Megamind has a penchant for putting the wrong emphasis on the wrong syllable and other verbal gaffes, such as pronouncing Metro City “Metrocity” (rhymes with atrocity) or revenge as “revahhnnge.” Ferrell is ideal in the role, imbuing the character with his signature arrogant nitwit schtick.
Pitt doesn’t have a huge role here, so he’s not exactly memorable in it; it’s more the idea of this seemingly perfect, all-American hero being pitted (no pun intended) against the likes of Ferrell that makes the star voice casting stunt work. Fey is fine as Roxanne, but never really gets any truly memorable lines or moments here. David Cross fares better as Megamind’s lifelong cohort, Minion, while Jonah Hill nicely plays Titan as more of a wounded kid who is lashing out rather than as simply evil.
The 3D is well done, and the animation and sound design are both top-notch. This is a great-looking (and sounding) toon, one definitely worth seeing in 3D, but it’s ultimately the story, characters and humor that makes Megamind such a pleasant surprise. It may not be as effective as The Incredibles, but it’s a fun comic book parody that offers its own clever, satirical take on the genre.
So what do you think guys?
You can check other Movie Reviews HERE.
At last, here is another latest movie review from IGN. Make sure to read carefully before deciding if you’ll watch Paranormal Activity 2!
Video cameras? Check. Spooky noises? Check. Vague nonsense about demons? Correct and present. Annoying characters with slightly wooden acting? Hello, sir. Yes, 2009’s low-budget, hype-tastic horror-phenomenon Paranormal Activity is back, to once again make us stare furiously at a static screen and then freak out at the odd rattle of saucepans.
After notching up $195 million across the globe, the reigning champ of the found-footage horror genre was always sequel-bound. However, heavy hearts will remember that the previous title-holder was The Blair Witch Project. That movie’s post-modern (and post-quality) follow-up Book of Shadows single-handedly chiselled “don’t hack out a rush-job sequel” into the Horror Cliche Commandments, to sit comfortably alongside “don’t go down to the basement.”
Happily, Paranormal Activity 2 successfully bucks the sucky sequel trend (and even chucks in some basement-related fun to boot) being just as effective as the original — mainly by being a straight carbon copy of it. With new director Tod Williams’ taking an “ain’t broke, don’t fix” view of Paranormal Activity 2’s horror-by-surveillance camera, it successfully grinds tension out of nothing but footage of an apparently empty room until letting rip with a solid shock from the unwelcome house guest.
The last we saw of the thing that bumps people off in the night, it was violently flinging Paranormal Activity’s lead and all-round irritating berk Micah arse-first at his video camera. So it’s a shock (and disappointment) to see him and girlfriend Katie alive and well towards the start of Paranormal Activity 2.
It turns out this is a prequel, with Katie being the sister of new lead character Kristi: wife of Dan, mother of toddler Hunter and step-mom to 17-year-old Ali, and it’s their swish, Californian house where we’re going to spend the next 90 minutes.
From here we tread over exactly the same territory as the first Paranormal Activity 2 movie — complete with doomy thuds — as the footage captures the splintering of the family’s domestic tranquillity.
During the day, we get a bunch of exposition through their HD camera, and when night falls, we’re treated to an endless cycle of CCTV — the pool, the lounge, the stairwell, the bedroom — often left staring at the screen like it’s a magic eye puzzle. Is the curtain twitching? What the hell was that noise? When will something actually happen?
And when it does, it’s well worth the wait. Armed with an arsenal of slamming doors and massive bangs — sometimes together — this still manages to outgun any of Michael Bay’s Platinum Dunes’ remakes. However, Paranormal Activity 2’s secret weapon is the rising rumble that announces that pots and pans are about to be banged; John Williams might not be sweating the competition, but this signature tune still plays havoc with an audience’s nervous system.
Tapping directly into those primal fears of home invasion and your darkest imagination of what all those creaks that rattle around your home at night are, Paranormal Activity 2 once again lets its audience fill in the gaps for it. And where it drops points for originality — as well as a slightly rushed ending — it picks them back up when it comes to raising the emotional stakes (cute baby and family dog trumps annoying couple, any day of the week).
It goes without saying, then, that if you sat through the first flick wondering what the fuss was about — it’s low on gore and slow of burn — you should avoid this like a horrible, boyfriend-tossing demon. But for fans of Paranormal Activity, whose events are given a new twist by the action here, the latest set of tapes released by the California police department should be checked out immediately.
Now if only Kristi, Dan and Co. had bothered to take that advice…
So what do you think about this sequel?
You can check other Movie Reviews HERE.
TSL Rating: 3.9 / 5.0
Personally, I like this movie but definitely the ending could have been smarter.
CinemaBlend shares its own insights:
The short description of The Town is that it’s about a gang of white trash Boston bank robbers, the women who love them and the FBI agents on their tail. The longer description gets a lot more tangled. Affleck takes the central role of Doug, a Charlestowne boy who tried to make good but got sucked into the same bank robbery career that’s landed his dad (Chris Cooper) in jail for life. His volatile best friend Jim (Jeremy Renner, a standout in a crowded cast) is also his partner in crime, while Pete Postlethwaite’s gangster boss pulls the strings and James’s hard-living sister Krista (Blake Lively, stretching a bit beyond her reach) seems to lie wait for Doug to take her off into the sunset.
Except that Doug, under the guise of keeping up after a witness from their latest job, has fallen for posh Claire (Rebecca Hall), who of course has no idea Doug is the guy who held a gun to her head during the bank robbery a few weeks back. Their relationship is a major plot contrivance in a story that otherwise unfolds fairly naturally, but Affleck and Hall sell the romance, particularly once Claire gets wise and has to make her choice between justice and her beloved outlaw. Learning hard on her is ruthless FBI Agent Frawley (Jon Hamm), who’s been after Doug’s crew for years and isn’t above faking evidence or being a general asshole to bring them in for good.
Yes, Doug agrees to “one last job” before trying to make his way out of the crime world for good, and yes, the entire story of a nice girl redeeming a criminal with her love rings off all kinds of cliche alarms. But the combination of fierce performances– Hall and Hamm are also especially good) and well-directed action scenes propel The Town along this familiar path with gusto; Affleck and his cast prove there’s always room for the same story told right. Behind the camera Affleck isn’t just deft at handling hails of bullets, but infuses tension by playing with audience knowledge and expectations; one particular lunch scene, in which Claire meets Jim, is as nail-biting as any bank robbery. Occasional flashbacks and moments of lyricism don’t add much to the otherwise gritty feel, but it’s nice to see Affleck stretching out as a director, never settling for just a straightforward telling of his complex story.
Those layers of plot get the best of The Town occasionally–Lively’s character in particular is wasted– and the hard-boiled dialogue dips one too many times into clumsy plot exposition, but then, it probably wouldn’t be a cops and robbers movie if it didn’t. Affleck as an actor actually winds up being one of the weaker points, maybe a little hamstrung as the typical anti-hero, or maybe trying too hard not to outshine his co-stars (though the live-wire Renner would never have let that happen anyway). The Town never reaches the operatic heights of the movie to which it will inevitably compared, The Departed, but it’s a solid improvement on the plothole-riddled Gone Baby Gone, and sports so many quality performances that miraculously don’t drown each other out. It’s probably time for Affleck to step away from the Boston criminals for his third film, but The Town is irrefutable proof that whatever he does next is well worth watching out for.
You can check other Movie Reviews HERE.
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